1/6/2024 0 Comments Bass microsynth![]() ![]() Square wave (waveform signal edge after the extreme hyper-saturated, so it falls on a "square", then analog synth sound). Guitar (the input signal but not quite neutral) Part mixer allows to reconstruct a sound by the addition of these four signals available: Simple, effective, and vintage look 100% analog.Īn on / off switch for the power supply adapter (no battery). Fuzz, envelope filter, octave above and below and attack delay let you satisfy your inner keyboard bass player. If you like far out bass effects, the EH Bass MicroSynthesizer offers several in one handy unit. Sliders seem prone to damage from a misplaced attempt to stomp on the toggle switch. ![]() ![]() Well made, but maybe not as heavy as you would like on a stompbox. A remote on/off would be nice so you could keep the unit at waist level to adjust settings for on-the-fly changes. It's also a pain to have to either put the unit on a pedalboard and stoop over to adjust settings or mount it high and try to turn it on and off with your free hand. It's also possible to get delayed attack that's approximates a volume pedal by ramping up Attack delay slider. Octave effects work only on single notes but track well, and the ability to have a octave about' the actual note helps to flesh out the sound - like Hendrix on bass! I'm a fan of controlled fuzz, the this machine delivers a square wave that is very smooth. Uisng the sliders, which determine effect volume, filter cutoff, sensitivity and initial attack time, you can tailor several sounds to your preferences. The Bass Microsynthesizer offers sveral pedals in one: fuzz, envelope filter, octave box and more. I tried out a friend's after hearing Nate Query of The Decemberists using one on 'The Hazards of Love.' Street price is $279. EH recommends that you don't try to power the unit in a chain from a single (V power source, but use the dedicated AC Adapter - wise advise. 10 sliders for Trigger, Voice Mix, Attack Delay and Filter Sweep. If the range of controls on the bass microsynth seems daunting then don’t panic EHX also publish a pdf of sample settings (link here: EHX Micro Synth Sample Templates PDF) that lets you get straight to the good stuff without hours of unnecessary knob-twiddling.The EH Bass MicroSynthesizer is packaged in a black aluminum thinline box with green and black applied graphics for settings and logo. Rate controls the speed at which the filter sweeps between the start and stop frequencies.Start Frequency and Stop Frequency govern the frequencies at which the filter sweep starts and stops different settings can result in ‘up’ or ‘down’ sweeps.Resonance controls the intensity of the filter sweep.Higher settings can remove the intial attack from notes, resulting in a ‘bowed’ sound Attack Delay increases or decreases the time taken for a note to reach full volume.Square Wave affects the volume of the square wave distortion.Octave controls the volume of the 1-octave up signal (the octave above signal is slightly distorted to provide a richer tone).Guitar affects the dry signal volume of the bass.Sub Octave controls the level of the 1-octave down signal.The trigger only affects parameters in the filter sweep section of the pedal Trigger affects the dynamic level at which the effect is triggered this can be thought of as ‘sensitivity’ or ‘threshold’.The Bass Micro Synth is controlled by numerous sliders that govern the following parameters: Although far more limited in its scope than more recent synth pedals, like the Future Impact or the Source Audio C4, the intuitive control layout of the Bass Micro Synth means that bass players can start experimenting with sounds almost instantly without having to delve into complex sub-menus: The Electro Harmonix Bass Micro Synth gives bass players who are looking to dive into the murky waters of synth bass sounds an opportunity to access a range of classic synth tones without having to go anywhere near a keyboard.
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